The mischievous and diabolic art of James Flora (1914-1998): Glimpses of rare works from the archives and news about Flora-related projects
Tuesday, November 24, 2009
the cognitive process
Flora explains how the brain reacts to stimuli—it's all cogs, pulleys and tiny hammers. Another (see below) illustration from the November-December 1944 issue of Columbia Coda.
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Self-Portrait (ca. 1947)
Our guy
"a post-nuclear Miró"
—Gary Marmorstein, Author The Label: The Story of Columbia Records
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1 comment:
I'm not convinced that's how it really works, but I'll agree that it often feels like this...
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