Musician Mike Keneally is a Floraphile.
and here's his website.
|detail, untitled tempera on paper, mid-1940s|
|untitled tempera on paper, early 1960s|
|Depot Fire, tempera on paper, late 1960s|
Gene's The Cat On a Hot Thin Groove was recently republished by Fantagraphics with a new cover:
THE HIGH-FIDELITY ART OF JIM FLORA arrived! This latest treasury of Jim's art is the closest to my heart, as it covers the exact material that led me to him in the mid 1940s—and which had an overpowering influence on my own graphic attempts. Everyone who followed my work in the Record Changer magazine, reproduced in the Fantagraphics book, THE CAT ON A HOT THIN GROOVE, knows that much of my stuff was flat-out Flora imitation-emulation, though I clearly knew all the while that Jim's endless graphic invention was inimitable.
Pete Jolly Duo EP from back cover of
The High Fidelity Art of Jim Flora
Jim himself was in many ways a parallel of his iconic images, a sum of many parts, just as all the convoluted sassy segments strung-out in space joined into a dazzling whole. A genius of his order may have had every reason to be arrogant, distant, or cold—yet Jim was downright jolly, warm-hearted, caring and helpful. He never berated me for stealing his stuff, but rather encouraged me and worked with me. I tried to work more with him, but am grateful that I was at least able to produce animated versions of his FABULOUS FIREWORKS FAMILY at Terrytoons and LEOPOLD, THE SEE-THROUGH CRUMB-PICKER here in Prague. Best of all, I am proud that he became my close friend and regular correspondent. His final letter to me lingers in my heart. This new book of his further ensures that I will never forget him.
|Gary Groth (left) and Kim Thompson|