This cutaway view of a cruise ship affords a glimpse into cabin and deck activities—some naughty, some nice. The undated, unpublished pen & ink on tablet paper probably dates from Flora's "late ship period" around 1988-90, when he was transitioning away from maritime motifs and back to music, architecture, portraits, and landscapes. His large acrylic ship canvases rendered during the 1980s were more lifelike than the cartoonish styles for which he'd been renowned as a commercial illustrator. The untitled work above is a return to form of sorts, although it's not what we'd consider a top-tier effort. (The thumbnail is minuscule; click on image to enlarge.)
Flora produced countless cutaway-view paintings and drawings of ships and buildings (and a handful of humans) over the years. It was a recurring motif in his fine art and in his commercial assignments. Previous examples can be viewed here. A wonderful (and violent) early 1950s tempera tableau we've issued as a fine art print exhibits the same structural voyeurism.