However, in a Flora mise-en-scène the details are "complete" works unto themselves. Isolating figures provides an opportunity for closer scrutiny. A typical image-dense Flora montage so overwhelms the eyes it's easy to overlook nuance. The gremlins are almost subliminal.

Here's a mere 2" x 5" patch from a 13" x 10" early 1950s untitled Christmas montage. This little tableau represents one-twelfth of the entire work (which is featured in The Curiously Sinister Art of Jim Flora).
The original montage was adapted for a Park East magazine cover in December 1952.
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